Pietro da Cortona

1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.


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Pietro da Cortona The return of Hagar oil


The return of Hagar
Painting ID::  39627
The return of Hagar
mk150 c.1637 Canvas 123.5x99cm
mk150 c.1637 Canvas 123.5x99cm
   
   
     

Pietro da Cortona Allegory of Divine Providence and Barberini Power oil


Allegory of Divine Providence and Barberini Power
Painting ID::  40444
Allegory of Divine Providence and Barberini Power
mk156 1633-39 Fresco
mk156 1633-39 Fresco
   
   
     

Pietro da Cortona The Golden Age oil


The Golden Age
Painting ID::  43580
The Golden Age
1641-46
1641-46
   
   
     

Pietro da Cortona Venus as Huntress Appears to Aeneas oil


Venus as Huntress Appears to Aeneas
Painting ID::  51200
Venus as Huntress Appears to Aeneas
Oil on canvas
Oil_on_canvas
   
   
     

Pietro da Cortona Landing of the Trojans at the Mouth of Tiberis oil


Landing of the Trojans at the Mouth of Tiberis
Painting ID::  51230
Landing of the Trojans at the Mouth of Tiberis
1651-54 Fresco Palazzo Pamphili
1651-54 _Fresco_Palazzo_Pamphili
   
   
     

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     Pietro da Cortona
     1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.

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